It’s not a military cover on Action 61 (June 1943), but it’s not related to the story, either. Kind of a shame, as the cover is very effective.
Jerry Siegel and Ed Dobrotka are behind this twisting and entertaining story.
The story begins by introducing a wealthy young wastrel, Craig Shaw, who starts a fire at a nightclub for his own amusement. Disaster is only averted by Superman. Lois and Clark were at the club, and Lois writes a scathing article about Shaw.
Shaw is enchanted by Lois’ anger and outspokenness, no woman had ever talked to him that way before. They begin dating, as a worried Superman spies on Lois. Shaw proposes marriage, and Lois accepts.
This drives Superman near into a frenzy. He decides to propose to Lois as well, as Clark. And he reveals that he is Superman. Lois refuses to believe him, and the story moves into slapstick, as Clark’s attempts to prove that he has powers keep backfiring on him.
Then the situation gets even worse, as he discovers that Lois never had any interest in Shaw, and was just getting close to him for her story. Shaw, meanwhile, proves himself to be much more criminal than anyone suspected. Now Clark has to try to prove that he is NOT Superman, and winds up kidnapping and knocking out a man on the street in order to appear to be both men at once. Again, this type of story will be told many times in the future, but this early version is one of the best.
The Fiddler returns to face the Vigilante again in this Cameron/Meskin/Paris story.
This time the Fiddler accompanies his men to their crimes – no more need for subterfuge now that his identity is known. He plays his music for inspiration and mood, rather than communicating instructions.
We discover that the Fiddler hates cats, and a howling kitten does a lot to help Vigilante and Stuff in this story. Notice Vigilante’s motorcycle in the final panel. This has become a much larger machine than it started out as. There were no big dramatic changes with the cycle, more like small modifications from issue to issue, which will eventually create his famous cycle.
There is another interesting deathtrap, an electric bed, which Vigilante and Stuff get tied to. The cat proves critical to escaping it. The Fiddler returns a few months down the road.
Gardner Fox and Joseph Sulman spread the powers around in this month’s Zatara story.
A man, who must have particularly good hearing, realizes that Zatara is speaking backwards to cast his spells. From having all manner of magic abilities early in his run, his repertoire has reduced and stabilized to the backwards talking by this point. Still, it’s impressive that the man can figure this out simply by hearing Zatara.
He tries the backwards speaking himself, and finds that it works sometimes, but not others. His crime spree is not nearly as successful as he had hoped, and Zatara gets on his trail pretty fast.
The story ends on a very odd panel, as Zatara explains why the man’s magic did not always work, an explanation that involves the man’s bugging eyes, and really makes very little sense. Zatara has also used his magic to wipe the man’s mind of his secret. Mind-wiping would seem to be a Zatara family trait.